Morgan Murphy was five when he moved to Ireland from Long Island, and 15 when he moved back. As you might imagine, this was a big move for a sensitive kid. “It was pretty much a huge culture shock,” he says. “Growing up, I was very introverted. I was very shy. I didn't say much. I was always nervous to be in social situations.” He made a few friends so as to not be completely alone, but he began to indulge his musical vision by exploring community on internet. When he discovered the internet, a feeling of freedom came over him, a sense of belonging. “It was like a secret party that I just discovered”. As a senior in high school, inspired by artists around age like Bones and Young Lean, he started making his own beats. It helped him find a sense of community he hadn’t had in either Ireland or America.
HUNNY was born out of the tight-knit North LA indie-rock scene of the mid-2010s, sharing stages and even band members with acts like The Neighbourhood and Bad Suns from an early age. On the back of a shimmering blend of new-wave sheen, shoegaze gloom and angular guitar rock – all underwritten with cheeky, California cool sensibilities – the childhood friends racked up millions of streams of their self-released 2015 EP, Pain/ Ache/ Loving, thanks to undeniable songs like the hit “Cry For Me.” By the time the band had secured a record deal with legendary Epitaph Records and released their 2019 debut full-length, Yes. Yes. Yes. Yes. Yes., outlets like Alternative Press were hailing HUNNY – vocalist/guitarist Jason Yarger, guitarist Jake Goldstein, bassist Kevin Grimmett and drummer Joey Anderson – for their spin on “perfunctory electronic and new-wave pop, teeming with love, heartbreak, neuroses and impeccably sweet dancing shoes.”